Mr. Friedwald writes about music and popular culture for The New York Sun and…
It makes sense that it would take at least two distinct, brand-name ensembles as well as an ambitious roster of guest performers and vocalists to tackle Moondog’s music.
This year’s big-ticket event is a three-night concert by the Jazz at Lincoln Center Orchestra under the direction of the redoutable Ted Nash (May 2-4).
‘Do Re Mi’ is a delightful piece of work that in 1960 suffered from bad timing: It arrived in the wake of a similar, fresher-feeling show that was a huge hit, ‘Bye Bye Birdie.’
If Byas isn’t commonly regarded as one of the all-time saxophone colossi, it’s only because his best music has been hard to hear. This amazing new release should change that.
Sherman has felt enough of a spiritual kinship with the legendary lady to have recorded two albums and performed innumerable shows in her honor.
A running theme of the evening is how modern jazz and Latin rhythms interact and conjoin with each other to form a whole new music.
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