Brought up in a proper Connecticut middle class home, she scandalized her family by doing hard-core sex films. Yet Chambers wanted everyone to know that what she did was acting.
For all its enduring popularity, Simon’s work is only seldom produced on Broadway these days: Even if you don’t consider yourself unduly preoccupied with misogyny, his portraits of men and women can be as dated as many of his jokes.
Will this, the most comprehensive overview of Shimizu’s pictures mounted in North America, elevate the director’s reputation to the standards enjoyed by Yasujiro Ozu and Kenji Mizoguchi?
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