‘Paging Hezbollah’ Thrillingly Recounts a Mossad Masterstroke
With extraordinary access to the key players, a riveting documentary provides the definitive account of Israel’s 2024 operation against Hezbollah.
By DAVID HIROSHI JAGER
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Mr. Jager is an arts and culture writer. He received his doctorate in philosophy from the University of Toronto. He also writes screenplays and rock musicals.
With extraordinary access to the key players, a riveting documentary provides the definitive account of Israel’s 2024 operation against Hezbollah.
By DAVID HIROSHI JAGER
||Arts+
Speaking before her arrest on assault charges, the actress recounted the cost of speaking out against Islam and the new documentary it has inspired.
By DAVID HIROSHI JAGER
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Frank Pavich’s tender documentary charts the aspirations and challenges of young bachata musicians.
By DAVID HIROSHI JAGER
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Kiyoshi Tanimoto, among those whose stories The New Yorker chronicled in 1946, fully recounts the devastation of the first city targeted in nuclear warfare.
By DAVID HIROSHI JAGER
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Daniel Root vividly juxtaposes photographs of downtown Manhattan taken four decades ago with images of the same locations today, vizualizing the past through the lens of the present.
By DAVID HIROSHI JAGER
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A new anthology reinforces Uncle Sam isn’t merely great because it is already something, but because it is always becoming something greater.
By DAVID HIROSHI JAGER
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The late British‑Mexican artist shared Hieronymus Bosch’s gift for conjuring figures of such sublime weirdness that the viewer is rendered speechless.
By DAVID HIROSHI JAGER
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Guided by 1960s artistic sensibilities, a dreadlocked street artist becomes an observant Jew.
By DAVID HIROSHI JAGER
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A new exhibition chronicles in comprehensive detail how fortune-telling cards impacted upon popular culture and sublime bohemian lunacy.
By DAVID HIROSHI JAGER
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The Yorkshire painter demonstrated the virtues of a maverick spirit, zeal for life, and multidisciplinary creativity.
By DAVID HIROSHI JAGER
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Modest and somewhat reclusive, a new Luhring Augustine exhibition makes a compelling case that the figurative artist was one of the best British 20th century painters.
By DAVID HIROSHI JAGER
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A new revival of the 1973 camp classic solidifies its cultural establishment status as its once-daring transgressive sexuality now feels routine.
By DAVID HIROSHI JAGER
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