
Ute Lemper Channels Marlene Dietrich To Mark the Diva’s 125th Birthday
On stage at 54 Below, Ms. Lemper recalls a 1987 encounter with La Marlene and proceeds to become her at various stages of her life.
By WILL FRIEDWALD
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Mr. Friedwald writes about music and popular culture for The New York Sun and other publications. The host of the radio show ‘Sing! Sing! Sing!’ on San Diego KSDS on Saturday mornings, he also is the author of 10 books. He has written more than 600 liner notes for compact discs, received 11 Grammy nominations, and appears frequently on television and in documentaries.

On stage at 54 Below, Ms. Lemper recalls a 1987 encounter with La Marlene and proceeds to become her at various stages of her life.
By WILL FRIEDWALD
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In his memoir ‘Never Mind the Happy,’ the talented composer of film and Broadway hits demonstrates he is also a master of narrative.
By WILL FRIEDWALD
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There was a clear attitude in the atmosphere that this was as good as jazz — and music in general — ever gets.
By WILL FRIEDWALD
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The two interpretations of the classic ‘One’ are different but equally thrilling.
By WILL FRIEDWALD
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Giordano’s music is like the A Train, careening down the track and transporting you the entire length of Central Park in mere moments.
By WILL FRIEDWALD
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For all of his profundity, Jonathan Goldstein is heir to the great legacy of Jewish radio comedians like Jack Benny and George Burns.
By WILL FRIEDWALD
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This is the only time of year when musicians can step onto a concert stage — at Lincoln Center, no less — wearing goofy hats
By WILL FRIEDWALD
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The monthlong stand by the former Sting accompanist guest stars the almost frighteningly talented singer Veronica Swift.
By WILL FRIEDWALD
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This is a production that George and Ira Gershwin would have loved, although they would take exception to calling it ‘The Gershwins’ Porgy and Bess.’
By WILL FRIEDWALD
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Recently, Mr. Winter has more consciously sought to erase the boundaries between the man-man world and the natural world.
By WILL FRIEDWALD
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Whether on clarinet or tenor saxophone, Peplowski is comfortable with just about every subgenre of jazz you’re likely to hear at either a festival or a mainstream club.
By WILL FRIEDWALD
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What started as a tale of a Wicked Witch becomes a story about female bonding.
By WILL FRIEDWALD
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