Mr. Friedwald writes about music and popular culture for The New York Sun and…
‘Do Re Mi’ is a delightful piece of work that in 1960 suffered from bad timing: It arrived in the wake of a similar, fresher-feeling show that was a huge hit, ‘Bye Bye Birdie.’
If Byas isn’t commonly regarded as one of the all-time saxophone colossi, it’s only because his best music has been hard to hear. This amazing new release should change that.
Sherman has felt enough of a spiritual kinship with the legendary lady to have recorded two albums and performed innumerable shows in her honor.
A running theme of the evening is how modern jazz and Latin rhythms interact and conjoin with each other to form a whole new music.
Sosa’s notion of diversity includes moving between different styles of jazz associated with different parts of the globe, and an easy alliance between acoustic and electronic instruments.
We in the audience at Carnegie Hall expected a straightforward retrospective of the great leading lady’s life and work, and what we got was both that and something else.
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