
Israeli Ambassador Lashes Out at Macron After His Son Is Rammed in West Bank
By JOTAM CONFINO
|Canutt put life and limb at risk in two key scenes, without which the film would not be on the docket at the American Museum of the Moving Image as part of ‘See It Big: Stunts!’

Were it not for the efforts of Enos “Yakima” Canutt (1895-1986), John Ford’s “Stagecoach” (1939) might be less than what it is — that is to say, a masterwork of American cinema — and would not be on the docket of films running at the American Museum of the Moving Image as part of “See It Big: Stunts!” Canutt put life and limb at risk in two key scenes: one in which he doubled for John Wayne and the other as an Apache warrior under the command of Geronimo.

By JOTAM CONFINO
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By DAVID JONES
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By THE NEW YORK SUN
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By MATTHEW RICE
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By A.R. HOFFMAN
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By DONALD KIRK
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By JOSEPH CURL
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By JENNIFER DOHERTY
|Were it not for the efforts of Enos “Yakima” Canutt (1895-1986), John Ford’s “Stagecoach” (1939) might be less than what it is — that is to say, a masterwork of American cinema — and would not be on the docket of films running at the American Museum of the Moving Image as part of “See It Big: Stunts!” Canutt put life and limb at risk in two key scenes: one in which he doubled for John Wayne and the other as an Apache warrior under the command of Geronimo.
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