
‘The Social Whatever’: Aaron Sorkin’s Facebook Sequel Has Little Bite
By JEFFREY WELLS
|As publishing professionals strike, it is authors who stand to strike out.

In an irony so delicious that even Jane Austen would have wished it flowed from her quill, writers fortunate enough to be contracted to HarperCollins — by some accounts the second-largest publishing house in America — are facing the prospect of their works being kneecapped by those tasked with midwifing them into the world.

By JEFFREY WELLS
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By JENNIFER DOHERTY
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By DAVID MASTIO
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By MARIE POHL
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By CAROLINE DOWNEY
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By A.R. HOFFMAN
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By LUKE FUNK
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By MATTHEW RICE
|In an irony so delicious that even Jane Austen would have wished it flowed from her quill, writers fortunate enough to be contracted to HarperCollins — by some accounts the second-largest publishing house in America — are facing the prospect of their works being kneecapped by those tasked with midwifing them into the world.
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