A Gold-Feathered Bird Sings in the Palm

This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

The New York Sun

Starting from automatist drawings in pastel, Jennifer Riley works up crisp arrangements of colored lines, cannily manipulated so that they appear to enclose a looping white stripe. This stripe delimits shapes filled in with a joyful selection of hues, and the resulting oil paintings have considerable graphic power. Pleasingly noodly and loaded with allusive speed, they take a surprising gestural approach to geometric abstraction.

Jennifer Riley: Fire-Fangled Feathers borrows its title from the poem “Of Mere Being” by Wallace Stevens. “A gold-feathered bird / Sings in the palm, without human meaning, / Without human feeling, a foreign song.” Indeed, the coolness of the paint application and the elegance of the curves suggest something that exists beyond human concerns, something Platonic or even Pythagorean. But like Stevens’ poem itself, these works deliver pleasure capaciously.

The exhibition runs through April 30 at Allegra LaViola Gallery, 179 East Broadway, between Jefferson and Rutgers streets, 917-463-3901, allegralaviola.com.

Franklin Einspruch is an artist and writer.

The New York Sun

© 2023 The New York Sun Company, LLC. All rights reserved.

Use of this site constitutes acceptance of our Terms of Use and Privacy Policy. The material on this site is protected by copyright law and may not be reproduced, distributed, transmitted, cached or otherwise used.

The New York Sun

Sign in or  Create a free account

By continuing you agree to our Privacy Policy and Terms of Use