
‘The Incomer’ Is a Quirky Delight
By MARIO NAVES
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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During last night’s post-screening press conference for “Che,” the two-part, 268-minute film based on the life of Ernesto “Che” Guevara that makes its debut at the New York Film Festival on October 7, the film’s director, Steven Soderbergh, addressed a fundamental irony at the heart of his ambitious and technically polished new project. Though Che Guevara dedicated his life to fomenting Marxist revolution intended to abolish capitalism, the Argentine physician-guerrilla’s name and image have helped to sell, in Mr. Soderbergh’s words, “a wall of books” and other commercial goods branded with the revolutionary’s likeness. Mr. Soderbergh expressed the hope that his film, not the easiest sell to mainstream audiences, would bear some of the same branded commercial heft.

By MARIO NAVES
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By LUKE FUNK
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By DAVID MASTIO
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By BRADLEY CORTRIGHT
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By MARK GLANVILLE
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By GEORGE WILLIS
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By THE NEW YORK SUN
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By MATTHEW RICE
|During last night’s post-screening press conference for “Che,” the two-part, 268-minute film based on the life of Ernesto “Che” Guevara that makes its debut at the New York Film Festival on October 7, the film’s director, Steven Soderbergh, addressed a fundamental irony at the heart of his ambitious and technically polished new project. Though Che Guevara dedicated his life to fomenting Marxist revolution intended to abolish capitalism, the Argentine physician-guerrilla’s name and image have helped to sell, in Mr. Soderbergh’s words, “a wall of books” and other commercial goods branded with the revolutionary’s likeness. Mr. Soderbergh expressed the hope that his film, not the easiest sell to mainstream audiences, would bear some of the same branded commercial heft.
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