Unbeknownst to Zelensky, Trump Announces Ceasefire Between Russia and Ukraine on Energy Infrastructure
By SHARON KEHNEMUI
|Loading article…
This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.
Published:
Updated:
Silence was clamorous and stillness whipped to a froth at the Brooklyn Academy of Music Tuesday night, when the Cloud Gate Dance Theatre of Taiwan opened this season’s Next Wave Festival. The dancers’ collective grunt became a kind of downbeat as the curtain rose on dancers caught in the act of flailing and thrashing, midair and in media res in “Wild Cursive,” the final installment of “Cursive: A Trilogy.” The choreography by Lin Hwai-min uses serpentine squiggles to simulate the cursive tracery of calligraphy, blended with the pummeling legs of Asian martial arts.
By SHARON KEHNEMUI
|
By MATTHEW RICE
|
By ROSS ANDERSON
|
By SHARON KEHNEMUI
|
By TOM DEIGNAN
|
By GEORGE WILLIS
|
By JOSEPH CURL
|
By MICHAEL BARONE
|Silence was clamorous and stillness whipped to a froth at the Brooklyn Academy of Music Tuesday night, when the Cloud Gate Dance Theatre of Taiwan opened this season’s Next Wave Festival. The dancers’ collective grunt became a kind of downbeat as the curtain rose on dancers caught in the act of flailing and thrashing, midair and in media res in “Wild Cursive,” the final installment of “Cursive: A Trilogy.” The choreography by Lin Hwai-min uses serpentine squiggles to simulate the cursive tracery of calligraphy, blended with the pummeling legs of Asian martial arts.
Already have a subscription? Sign in to continue reading
Cancel anytime
By continuing you agree to our Privacy Policy and Terms of Service.
Cancel anytime