
After Russia’s Reprieve From U.S. Sanctions, Trump Administration Tells Europe To Step Up, Quit Playing Both Sides
By MATTHEW RICE
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

The sluggish economy has, in recent years, inspired films about upper-middle-class types grappling with unemployment. Laurent Cantet’s “Time Out” offered a metaphysical meditation on the nature of vocation, while Costa-Gavras’s “Le Couperet” took a more satirical approach. The two movies are vastly different, but they share a common viewpoint: Work not only provides financial stability, but also a source of pride and identity.

By MATTHEW RICE
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By SHARON KEHNEMUI
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By MATTHEW RICE
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By MARIO NAVES
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By ROSS ANDERSON
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By SHARON KEHNEMUI
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By VIVEK NAGRANI
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By BRADLEY CORTRIGHT
|The sluggish economy has, in recent years, inspired films about upper-middle-class types grappling with unemployment. Laurent Cantet’s “Time Out” offered a metaphysical meditation on the nature of vocation, while Costa-Gavras’s “Le Couperet” took a more satirical approach. The two movies are vastly different, but they share a common viewpoint: Work not only provides financial stability, but also a source of pride and identity.
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