
An Exquisite Off-Broadway Reinvention Retains Stoppard’s Spirit
By ELYSA GARDNER
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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Hubbard Street Dance Chicago has its own particular movement language down pat: It emulates the way Europeans have adapted the textures and rhythms of classic modern-dance vocabulary, but it has combined it with an American aerobicism. It’s not unsophisticated, but it’s also readily accessible. It has not only a style but even a culture of its own: When the entire company or most of it is onstage together one senses a particular cohesion among the dancers. But as vigorously as they danced all the works on view, it wasn’t often that one saw them really fulfill themselves.

By ELYSA GARDNER
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By MARIO NAVES
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By THE NEW YORK SUN
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By LAWRENCE KUDLOW
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By BRADLEY CORTRIGHT
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By THE NEW YORK SUN
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By JOSEPH CURL
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By CARL ROLLYSON
|Hubbard Street Dance Chicago has its own particular movement language down pat: It emulates the way Europeans have adapted the textures and rhythms of classic modern-dance vocabulary, but it has combined it with an American aerobicism. It’s not unsophisticated, but it’s also readily accessible. It has not only a style but even a culture of its own: When the entire company or most of it is onstage together one senses a particular cohesion among the dancers. But as vigorously as they danced all the works on view, it wasn’t often that one saw them really fulfill themselves.
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