Hubbard Street Dance Chicago, which begins its two-week engagement at the Joyce Theater today, nurtures and cultivates young choreographers from within its own ranks to add company-exclusive works to the repertory. Hubbard Street’s artistic director, Jim Vincent, is intrigued by the subtlety and uniqueness that arise when dancers work with their peers.

An annual choreographic workshop introduced by Mr. Vincent, “Inside/Out,” lets Hubbard Street dancers create choreography for fellow company members, complete with sound, lighting design, and costumes. It was in a 2005 workshop that Alejandro Cerrudo’s “Lickety-Split” began as a simple duet, set to music by indiefolk singer-songwriter Devendra Banhart. Mr. Vincent was so impressed with the duet that two of Mr. Cerrudo’s works have since become company repertory and will have their New York premieres during Hubbard Street’s stint at the Joyce. “There was a humanity and humor that drew us into the space between the couple,” Mr. Vincent said. “Alejandro was tapping into something that brought out the personality of the dancers, something that somebody from outside was not going to be able to do right away.” So, Mr. Vincent asked for an expansion. Although reluctant at first because he saw the duet as done with, Mr. Cerrudo found more Banhart music that created the same aura, and turned the duet into a work for three couples — “Lickety-Split.”

“Banhart is a nonsense-singer, where words don’t always make sense, but at the same time the music gives you a specific sense, like poetry, that you don’t necessarily understand, but love,” Mr. Cerrudo said. “I think using a collage of music is always iffy, but Jim wanted me to expand so I looked more into Banhart and found some songs that worked.”

Mr. Cerrudo, 28, is both flattered and daunted that his own creations — “Lickety-Split” and “Extremely Close” — now appear alongside the artists he so admires. “It is an honor and also pushes you to always want more and more and more,” Mr. Cerrudo explained from Reno, Nev., during a break in performances two weeks ago. “When you have respect for other works in the repertoire you put your own standards very high and want your works also to be up there.”

When the Spanish-born Mr. Cerrudo first saw Hubbard Street Dance Chicago perform at a Houston gala six years ago, he knew he wanted in. The dancers were fantastic, he thought, and the repertory, including works by Nacho Duato, Jirí Kylián, and William Forsythe, were impressive. He moved to Chicago and joined the company just a few years later.

“When working with your colleagues it’s a great support structure to find your own voice as choreographer in, and not just to create movement, but to bring out individuality,” Mr. Vincent said. “This gives the audience the opportunity to meet the dancers as people, and not just see them as dancers. They are exhibited, celebrated, and shared with the viewer.” When Mr. Cerrudo creates a new work he envisions an atmosphere, and this guides the steps, scenery, and music he selects. To create the aura he wanted for his newest work, “Extremely Close,” set to piano solos by Philip Glass and Dustin O’Halloran, he began by altering the studio space and changing lighting and design. “I turned off the lights and brought in stage lighting so that it was lit from the floor,” Mr. Cerrudo explained. “I wanted to take the dancer out of the studio where we work every day so that when you enter it’s a little bit different. I wanted to avoid the feeling of ‘this is a studio and just another rehearsal.'”

As in most of his works, Mr. Cerrudo prefers to avoid specifying the subject matter of “Extremely Close” and “Lickety-Split.”

“The understanding of different works is so much up to the individual,” Mr. Cerrudo said. “I have my own interpretation but that doesn’t mean that everybody else has to see it that way. Sometimes I hear a different interpretation and feel it works very well. This can change the way I feel about my own work. There’s no right or wrong on how you feel about art.” Although Mr. Cerrudo’s work has toured extensively already, this will be its first appearance in New York. “I am very excited,” Mr. Cerrudo said. “I see New York as the center of many arts and dance; it’s culturally a very rich city and it’s an honor to perform in New York.”

Hubbard Street Dance Chicago’s Joyce engagement will also include New York premieres by Mr. Vincent, Hubbard Street associate artistic director Lucas Crandall, and the Japanese choreographer Toru Shimazaki. Further on the bill are works by Ohad Naharin, Doug Varone, and Nacho Duato.