The Yale Center for British Art has set out to rehabilitate the reputation of Johann Zoffany, a German expatriate who became a member of the Royal Academy by appointment of King George III. One might argue that he isn’t better-known for fair reasons. His work is present in few American collections, he altered the spelling of his name several times, and his peripatetic life bewildered later chroniclers of English painting. His contemporaries included Thomas Gainsborough and William Hogarth, and, although he was an able painter with a gift for the theatrical, he had neither the deft wrist of the former nor the piercing eye of the latter. Yet within the parameters of genre scenes and group portraiture, he produced dozens of striking, original works. His portraits of single figures, if they don’t always rank as masterpieces, are full of puckish verve that makes up for many of their shortcomings.

Read the whole essay at The New Criterion.

“Johann Zoffany RA: Society Observed” runs through February 12 at the Yale Center for British Art, 1080 Chapel Street, New Haven, Connecticut, 877-274-8278, britishart.yale.edu.

Franklin Einspruch is an artist and writer. He blogs at Artblog.net.