Google’s Pixel 11 Is a Fine Phone, but a Minor Upgrade
By ROSS ANDERSON
|Loading article…
This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.
Published:
Updated:
Much as its subject — a 20-something Filipino pre-op transsexual named Earvin who rechristens him/herself Raquela — this curious film is never quite here or there. The Icelandic director Olaf de Fleur Johannesson discovered Raquela working the streets in an impoverished sector of Cebu City, Philippines, and decided he had the basis for a fascinating documentary. But he lacked the budget to shoot a proper feature.
By ROSS ANDERSON
|
By JACK ALDANE
|
By SHARON KEHNEMUI
|
By MATTHEW RICE
|
By JEFFREY WELLS
|
By SHARON KEHNEMUI
|
By ALEX ZDAN
|
By MATTHEW RICE
|Much as its subject — a 20-something Filipino pre-op transsexual named Earvin who rechristens him/herself Raquela — this curious film is never quite here or there. The Icelandic director Olaf de Fleur Johannesson discovered Raquela working the streets in an impoverished sector of Cebu City, Philippines, and decided he had the basis for a fascinating documentary. But he lacked the budget to shoot a proper feature.
Already have a subscription? Sign in to continue reading
Cancel anytime
By continuing you agree to our Privacy Policy and Terms of Service.