Perception of Ecstacy

This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

The New York Sun

“There is a supple gracefulness to Bluhm’s paintings that feels as choreographed and inevitable as Fred Astaire’s defiance of gravity,” writes John Yau in the catalog for the exhibition of Norman Bluhm at Loretta Howard Gallery. “His hybrid forms often evoke bodies, landscapes, or clouds, but they resist any literal interpretation. And yet for all the masking and deliberate ambiguity that the artist achieves in his painting, the underlying subject, which is to say the perception that you cannot ever get away from, is ecstasy.”

Norman Bluhm: Paintings 1967-1974 runs through May 27 at Loretta Howard Gallery, 525-531 West 26th Street, between 10th and 11th avenues, 212-695-0164, lorettahoward.com.

Franklin Einspruch is an artist and writer.


The New York Sun

© 2024 The New York Sun Company, LLC. All rights reserved.

Use of this site constitutes acceptance of our Terms of Use and Privacy Policy. The material on this site is protected by copyright law and may not be reproduced, distributed, transmitted, cached or otherwise used.

The New York Sun

Sign in or  create a free account

By continuing you agree to our Privacy Policy and Terms of Use