
Iran Blasts Trump Plan Ahead of ‘Historic’ Sanctions Set To Be Detailed Monday
By DAVID JONES
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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The G Major String Quintet, which was the featured work on an excellent program on Monday evening presented by the chamber group Concertante at Merkin Hall, was intended by Brahms to be his final effort, a rich, valedictory summing-up of his 56 years of aesthetic and life experience. His satisfied, autumnal mood lasted for approximately one year, until he met the clarinetist Richard Muehlfeld and began to compose once again, creating his great series of pieces for this instrument and arguably his most profound works for the piano. But like Mahler’s Symphony No. 9, the string quintet stands as a reflection on a career, even though that career continued further.

By DAVID JONES
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By JOSEPH CURL
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By DAVID JONES
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By THE NEW YORK SUN
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By BRADLEY CORTRIGHT
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By JENNIFER DOHERTY
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By LUKE FUNK
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By MICHAEL BARONE
|The G Major String Quintet, which was the featured work on an excellent program on Monday evening presented by the chamber group Concertante at Merkin Hall, was intended by Brahms to be his final effort, a rich, valedictory summing-up of his 56 years of aesthetic and life experience. His satisfied, autumnal mood lasted for approximately one year, until he met the clarinetist Richard Muehlfeld and began to compose once again, creating his great series of pieces for this instrument and arguably his most profound works for the piano. But like Mahler’s Symphony No. 9, the string quintet stands as a reflection on a career, even though that career continued further.
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