
Fauci’s Refusal To Answer Questions Matches Hubris of America’s Botched Covid Response
By JOSH HAMMER
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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Up at Columbia’s LeRoy Neiman Gallery MFA student Nora Griffin – well-known already downtown and before her enrollment as a writer on the Brooklyn Rail and an exhibiting artist – has organized and is taking part in a show of quirky, whimsical, often belligerently casual abstraction, “Fool’s House,” closing Friday. The title derives from a painting by Jasper Johns who is a point of reference, perhaps, to various works on display in which language and gesture fuse, as in Griffin’s own “Of Bricks…Who Built it?” a piece that insouciantly wraps itself around a wall, taking its text from a John Ashbery poem. “Fool’s House” brings together two of Ms. Griffin’s fellow MFA students at Columbia, Jim Lee and Becky Brown, who is enamored of Richard Tuttle-like, studiedly scrappy juxtapositions of painted found forms; two early-to-mid-career artists, Peter Gallo, another devotee of rough-hewn textual pieces, and Josephine Halvorson, a master of understated trompe l’oeil precisionism; and the eminence grise of this group, Ron Gorchov, who is represented with a typical saddle-shaped support sporting an iconic pair of amorphic glyphs.
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