Art
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SEASONAL SIGHTS
A reception celebrates the opening of “Summer Camp,” a multimedia exhibit of works by Billy Malone, David Rathman, Benji Whalen, and Wayne White. Reception: Tomorrow, 6-8 p.m. Exhibit: Tomorrow through Friday, July 29, Clementine Gallery, 526 W. 26th St., between Tenth and Eleventh avenues, no. 211, 212-243-5937, free.
FEELING BLOO
Marc Bell’s cartoon-inspired drawings, watercolors, and paintings are on display in “Bloo Chip,” his second solo exhibit. The Vancouver-based artist also draws comic strips that appear in the Montreal Mirror and Vice magazine. Through Friday, 11 a.m.-5:30 p.m., Adam Baumgold Gallery, 74 E. 79th St., between Park and Madison avenues, 212-861-7338, free.
INTERNATIONAL POP
An exhibit of German and American Pop artists explores several themes of the art movement. Consumer culture is the dominant trope in a selection of “box sculptures” by Andy Warhol, Gerhard Richter’s “Toilet Paper,” a silk-screen painting by Konrad Lueg depicting a grid of supermarket prices, and an early sculpture by Claes Oldenburg from a 1961 exhibit on the Lower East Side, in which the artist sold sculptures of food and consumer goods. Through Friday, 10 a.m.-6 p.m., Zwirner & Wirth, 32 E. 69th St., between Park and Madison avenues, 212-517-8959, free.
TREE TIME
An exhibit closing this weekend examines Alan Sonf ist’s “Time Landscape,” a grove of trees installed as an art project at the intersection of Houston Street and La Guardia Place. The work was completed in 1978 under Mayor Koch. The gallery exhibit, “Time Landscape: Reflection,” includes original artwork, documentation of the original installation, and a few new mixedmedia works. Through Saturday, 11 a.m.-6 p.m., Paul Rodgers/9W Gallery, 529 W. 20th St., between Tenth Avenue and the West Side Highway, ninth floor, 212-414-9810, free.
NATURE WITHOUT NURTURE
Walton Ford’s new watercolors depicting animals in struggle are on view through this weekend at Paul Kasmin Gallery. His paintings of birds of prey and powerful mammals were inspired by sources such as an early memory of Leonardo da Vinci’s and the death of Irish Renaissance man Sir William Hamilton’s pet monkey. The 16-foot-long triptych “Le Jardin” portrays a bison surrounded by snow-white wolves, one of them lying bloodied in the foreground. Mr. Ford’s work resembles John James Audubon’s 19th-century renderings, a style that is both precise and romantic. Through Saturday, Paul Kasmin Gallery, 293 Tenth Ave. at 27th Street, 212-563-4474, free.
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