Art

This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

The New York Sun
The New York Sun
NEW YORK SUN CONTRIBUTOR

SERIOUSLY, FOLKS “Neo Sincerity: The Difference Between the Comic and the Cosmic Is a Single Letter,” curated by Amei Wallach, is on display at apexart. The exhibit is organized around cartoonist Art Spiegelman’s proposal, in response to post-September 11 irony, for a kind of “neo sincerity.” It would consist of, in his words, “sincerity built on a thorough grounding in irony, but that allows one to actually make a statement about what one believes in.” The works on display address serious issues with touches of humor. Above is a detail of Bill Anthony’s “Feminist Andrea Dworkin Thinks Rape Victims Should Be Able To Execute Their Attackers Personally” (2006). At left is a scene from Paul Zaloom’s shadow-puppet play “The Mother of All Enemies,” whose hero is a queer secular humanist Quaker agnostic Syrian (Thursday, March 30, through Sunday, April 9, Thursday and Friday, 7:30 p.m., Saturday and Sunday, 3 and 7:30 p.m., Collective: Unconscious, 279 Church St., between White and Franklin streets, 212-352-3101, $15 general, $12 seniors and students). Exhibit: Through Saturday, April 8, Tuesday-Saturday, 11 a.m.-6 p.m., apexart, 291 Church St., between Walker and White streets, 212-431-5270, free.


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The New York Sun
NEW YORK SUN CONTRIBUTOR

This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.


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