
Widow of Moonies’ Founder Sentenced to Two Years in Korea for Accepting a Chanel Handbag and Necklace as a Bribe
By DONALD KIRK
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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OUT OF THEIR MINDS Among the many new works in the New York International Fringe Festival is “Usher: The Musical,” a creative riff on Edgar Allan Poe’s short story “The Fall of the House of Usher,” written by a recent graduate, scored by a current undergraduate, and directed by an MFA candidate at Yale University. The musical made its premiere at Yale’s Off-Broadway Theater this past February. Molly Fox wrote and produced the musical, while Sarah Hirsch wrote the original score. As the old story goes, James Cleary (Casey Breves), arrives at the Usher estate to paint the portrait of his friend Roderick (Ben Wexler), who is dying of a strange disease that heightens all his senses to an unbearable degree. Upon arrival, James discovers that his childhood love and Roderick’s twin, Madeleine (Claudia Rosenthal), is also suffering from this disease — and that the Ushers happen to have a depraved streak. Ms. Fox and director Becca Wolff, of the Yale School of Drama, take a modern stance on the play, making Madeleine an assertive figure, and including such collegiate elements as a cappella singing.

By DONALD KIRK
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By JENNIFER DOHERTY
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By GEORGE WILLIS
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By THE NEW YORK SUN
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By BENNY AVNI
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By AVI SHAFRAN
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By JOSEPH CURL
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By JENNIFER DOHERTY
|OUT OF THEIR MINDS Among the many new works in the New York International Fringe Festival is “Usher: The Musical,” a creative riff on Edgar Allan Poe’s short story “The Fall of the House of Usher,” written by a recent graduate, scored by a current undergraduate, and directed by an MFA candidate at Yale University. The musical made its premiere at Yale’s Off-Broadway Theater this past February. Molly Fox wrote and produced the musical, while Sarah Hirsch wrote the original score. As the old story goes, James Cleary (Casey Breves), arrives at the Usher estate to paint the portrait of his friend Roderick (Ben Wexler), who is dying of a strange disease that heightens all his senses to an unbearable degree. Upon arrival, James discovers that his childhood love and Roderick’s twin, Madeleine (Claudia Rosenthal), is also suffering from this disease — and that the Ushers happen to have a depraved streak. Ms. Fox and director Becca Wolff, of the Yale School of Drama, take a modern stance on the play, making Madeleine an assertive figure, and including such collegiate elements as a cappella singing.
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