
From ‘Dracula’ to ‘Ulysses,’ Ireland’s Literary Genius Enchants at New York’s Oldest Museum
By A.R. HOFFMAN
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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It’s dusk at Calvary, and Jesus, covered in red sores, gazes down from his cross upon the figure of a bearded monk. Atop the crucifix, in the same place where traditional Christian paintings display the Latin shorthand for “Jesus of Nazareth, king of the Jews,” the artist, William Hart McNichols, has inserted another message: “AIDS leper, drug user, homosexual.”

By A.R. HOFFMAN
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By JOSEPH CURL
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By DONALD KIRK
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By DAVID JONES
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By ALEX ZDAN
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By JOSEPH CURL
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By DAVID JONES
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By CARL ROLLYSON
|It’s dusk at Calvary, and Jesus, covered in red sores, gazes down from his cross upon the figure of a bearded monk. Atop the crucifix, in the same place where traditional Christian paintings display the Latin shorthand for “Jesus of Nazareth, king of the Jews,” the artist, William Hart McNichols, has inserted another message: “AIDS leper, drug user, homosexual.”
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