Fred Ebb, who wrote the lyrics for such hit Broadway musicals as “Chicago” and “Cabaret” as well as the big city anthem “New York, New York,” has died of a heart attack.

Ebb died Saturday at his home, said David McKeown, an assistant to composer John Kander, Ebb’s longtime collaborator. The lyricist was believed to be 76, although Ebb always was “sweetly vague” about his age, said director Scott Ellis, who worked with him on several shows.

With Mr. Kander, Ebb wrote the scores for 11 Broadway musicals, many for such leading ladies as Chita Rivera, Liza Minnelli, and Lauren Bacall.

During their four decades of collaboration, Mr. Kander and Ebb also wrote “Kiss of the Spider Woman” (1993), “The Rink” (1984), “Woman of the Year” (1981) and “Zorba” (1968).

“New York, New York” was written for the 1977 Martin Scorcese film of the same name, which starred Ms. Minnelli and Robert De Niro.

The songwriting team won Tony Awards for their scores of “Cabaret,” “Woman of the Year,” and “Kiss of the Spider Woman.” In addition, the 2002 film version of “Chicago,” directed by Rob Marshall, won the Academy Award for best picture.

Born in New York, Ebb attended both New York University and Columbia. The lyricist got his start writing for revues, one of which, “From A to Z,” had a short run on Broadway in 1960.

Ebb was brought together with Mr. Kander in the 1960s by music publisher Tommy Valando, and one of their first collaborations, the song “My Coloring Book,” was recorded by Barbra Streisand.

The team was hired by producer Harold Prince and director George Abbott to write the score for “Flora, the Red Menace,” starring a 19-year-old Ms. Minnelli. The show, which opened on Broadway in 1965, was not a success, but Kander and Ebb were signed to do the producer’s next musical, based on Christopher Isherwood’s “Berlin Stories” and the play “I Am a Camera.”

Called “Cabaret,” it opened in November 1966 and ran for 1,165 performances, establishing Mr. Kander and Ebb as songwriters to watch. The production, set in pre-World War II Germany, featured a huge mirror which reflected back into the audience and featured a sexually ambiguous master of ceremonies, played by Joel Grey.

“Cabaret” has been revived twice on Broadway – in 1987 with Mr. Grey repeating his role as the lascivious master of ceremonies and again in 1998 by the Roundabout Theatre Company in a production that ran until this year.

The revival of “Chicago,” which opened on Broadway in 1996, also has outlasted the original. The first production, directed by Bob Fosse, opened on Broadway in 1975 and was overshadowed by another hit show of that year, “A Chorus Line.”

But “Chicago,” a sardonic take on mayhem in the 1920s, came into its own with the 1996 revival, which featured Ann Reinking and Bebe Neuwirth. It is running at the Ambassador Theatre, having passed performance no. 3,250.

The team’s last Broadway collaboration, an original musical called “Steel Pier” had a short run in 1997.They also did a musical version of “The Visit,” starring Chita Rivera, at Chicago’s Goodman Theatre in 2001, but a New York engagement never materialized.

At the time of Ebb’s death, the team was working on several projects, including revising “Over and Over,” a musical version of Thornton Wilder’s classic “The Skin of Our Teeth,” and a murder-mystery musical called “Curtains.”

Funeral services will be Tuesday.

There were no immediate survivors.