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Families that rose to fame and fortune on the gush of crude are repudiating the past in the name of the orthodoxy of the present.
Protesters with hands glued to the frame of John Constable's ‘The Hay Wain’ at the National Gallery, London, July 4, 2022. Kirsty O'Connor/PA via AP
Mr. Hoffman is a reporter and assistant editor of the Sun, where he covers politics and culture. He holds a PhD from Harvard and a law degree from Stanford, and is a 2021-2022 Journalism Fellow at the Hartman Institute. He is an adjunct assistant professor at New York University's School of Liberal Studies.
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