A fourth entry in Victorian week at the Sun, today’s poem is from Coventry Patmore (1823–1896). Perhaps the least known of admirable 19th-century poets, Patmore was widely read in his own age for “The Angel in the House,” a long narrative poem that described an ideal marriage — and that contemporaneous popularity may have contributed to his later fading, for the Edwardians sneered at all such Victorian ideals as constricted and undersexed, the wife as a legless angel. Patmore wrote much else, however, and “The Toys” is a deeply affecting poem of the kind of higher sentimentality that other ages had difficulty writing. In rhyme but irregular line lengths, he describes how, after punishing his young son, he checks on him — only to find that the sleeping boy had gathered nearby all his favorite objects, “to comfort his sad heart.”

The Toys
by Coventry Patmore

My little Son, who look’d from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobey’d,
I struck him, and dismiss’d
With hard words and unkiss’d,
His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darken’d eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-vein’d stone,
A piece of glass abraded by the beach
And six or seven shells,
A bottle with bluebells
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I pray’d
To God, I wept, and said:
Ah, when at last we lie with tranced breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou’lt leave Thy wrath, and say,
“I will be sorry for their childishness.”

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With “Poem of the Day,” The New York Sun offers a daily portion of verse selected by the Sun’s poetry editor, Joseph Bottum of Dakota State University, with the help of the North Carolina poet Sally Thomas, The Sun’s associate poetry editor. Tied to the day, or the season, or just individual taste, the poems will be typically drawn from the lesser-known portion of the history of English verse. In the coming months we will be reaching out to contemporary poets for examples of current, primarily formalist work, to show that poetry can still serve as a delight to the ear, an instruction to the mind, and a tonic for the soul.