
Zelensky Now Has a Card To Play With Trump: Diesel
By JAMES BROOKE
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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PLAYFUL PROPORTIONS Tia Cibani’s spring collection for Ports 1961 was inspired by Canadian artist Emily Carr (1871-1945). Titled “Beloved of the Sky,” the collection was strong on linear silhouettes and pleated details, as well as plays on proportions. A three-quarter-sleeve caribou lace jacket was draped with extra material. Several outfits, such as a sleeveless cape dress, hid the female form entirely. Ms. Cibani’s use of crochet knits and yarns, along with a base of neutral colors, inspired thoughts of organic living and the great outdoors. Brighter color appeared toward the end of the show; a sultry red, open-back dress with an industrial nude buckle belt was a head-turner.

By JAMES BROOKE
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By MATTHEW RICE
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By BRADLEY CORTRIGHT
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By DANIEL McCARTHY
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By CONRAD BLACK
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By WILL FRIEDWALD
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By MATTHEW RICE
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By THE NEW YORK SUN
|PLAYFUL PROPORTIONS Tia Cibani’s spring collection for Ports 1961 was inspired by Canadian artist Emily Carr (1871-1945). Titled “Beloved of the Sky,” the collection was strong on linear silhouettes and pleated details, as well as plays on proportions. A three-quarter-sleeve caribou lace jacket was draped with extra material. Several outfits, such as a sleeveless cape dress, hid the female form entirely. Ms. Cibani’s use of crochet knits and yarns, along with a base of neutral colors, inspired thoughts of organic living and the great outdoors. Brighter color appeared toward the end of the show; a sultry red, open-back dress with an industrial nude buckle belt was a head-turner.
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