While a gripping entertainment, the most compelling scenes in ‘The Man in the Basement’ are the most queasy, wherein personal and historical truths are rendered malleable enough to waylay common sense.
François Cluzet and Bérénice Bejo in ‘The Man in the Basement.’ Via Greenwich Entertainment
MARIO NAVES
Mr. Naves is an artist, teacher and critic based in New York City. His writing has appeared in City Arts, The New Criterion,The New York Observer, Slate, The Spectator World, The Wall Street Journal, and other publications.
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