
Gavin Newsom’s Slicked-Up Origin Story
By MARTIN PENGELLY
|Director Ilker Çatak’s screenplay navigates the woefully absurd and the deadly serious with a suppleness and wit that is embodied, stride by stride, through Marvin Miller’s stealthy musical score.

Embedded within the obdurate surface of “The Teachers’ Lounge,” the latest film from director Ilker Çatak, is a brand of moralism so elusive it barely knows its name. The German film industry has selected Mr. Çatak’s picture as its entry for Best International Feature for next year’s Academy Awards, citing it as a reflection of “social processes of erosion in the post-factual age.” Our freunde across the way also extol the picture for its diversity, should one take account of such things.

By MARTIN PENGELLY
|
By DEAN KARAYANIS
|
By CARL ROLLYSON
|
By LAURENCE ELDER
|
By BENNY AVNI
|
By DAVID HARSANYI
|
By JENNIFER DOHERTY
|
By BRADLEY CORTRIGHT
|Embedded within the obdurate surface of “The Teachers’ Lounge,” the latest film from director Ilker Çatak, is a brand of moralism so elusive it barely knows its name. The German film industry has selected Mr. Çatak’s picture as its entry for Best International Feature for next year’s Academy Awards, citing it as a reflection of “social processes of erosion in the post-factual age.” Our freunde across the way also extol the picture for its diversity, should one take account of such things.
Already have a subscription? Sign in to continue reading
Cancel anytime
By continuing you agree to our Privacy Policy and Terms of Service.