
Mr. Sousa has written marketing content for publications, websites, and…
The film is a celebration of a people and culture, a memory piece of a bygone era, a valentine to the movies, a deconstructed drama, and an encapsulated history lesson.

The question of how to overcome toxic masculinity and inherited pain — essentially how to be a better man and heal from trauma and obsessive anger — consumes the film.

One of the film’s strengths is that it frequently makes no attempt to normalize its milieu, psychologize its characters, or explain the rigid strictures in Japanese culture or the art of Kabuki.

Those seeking a singular moviegoing experience — one that distresses but also provokes thought — will find much to ruminate over in the film’s elliptical outline and dramatic audacity.

At times, writer/director James Vanderbilt could be accused of oversimplifying complex interactions and events, yet the film generally avoids feeling like a history lesson.

At best the main character is a supporting character. This shortcoming prevents engagement with a drama that nonetheless contains sturdy themes and topical relevance.


© 2025 The New York Sun Company, LLC. All rights reserved.
Use of this site constitutes acceptance of our Terms of Use and Privacy Policy. The material on this site is protected by copyright law and may not be reproduced, distributed, transmitted, cached or otherwise used.