‘Last Summer’ Intrigues More With Its Ambiguity Than Its Controversial Content
Right from the start, through harrowing subject matter and steadfast, merciless closeups, we’re back in director Catherine Breillat’s particular world of expressionistic realism.

If some viewers found “Barbie” too anodyne even for a comedy, then the return of France’s “bad-girl” director, Catherine Breillat, should give them something more substantial to grapple with as she interrogates patriarchy and sexual politics. Known for provocative films such as “Fat Girl” and “Romance,” among others, Ms. Breillat adds to her controversial yet trenchant streak with her new movie “Last Summer,” focusing as it does on a relationship between a middle-aged woman and her teenage step-son.
Please check your email.
A verification code has been sent to
Didn't get a code? Click to resend.
To continue reading, please select:
Enter your email to read for FREE
Get 1 FREE article
Join the Sun for a PENNY A DAY
$0.01/day for 60 days
Cancel anytime
100% ad free experience
Unlimited article and commenting access
Full annual dues ($120) billed after 60 days