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By JOTAM CONFINO
|Hunter’s landscapes tend to be more earnest and quietly shattering than most, drawing us in with their open-hearted naturalism and avoiding cynicism against all odds.

Few writers have captured despair more movingly or with less flash than Samuel D. Hunter. Like Sam Shepard and Tracy Letts, the Idaho-born and -bred playwright paints bleak, searing portraits of everyday lives under siege and on the margins. Yet Mr. Hunter’s landscapes tend to be more earnest and quietly shattering than most, drawing us in with their open-hearted naturalism and avoiding cynicism against all odds.

By JOTAM CONFINO
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By JAMES BROOKE
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By MATTHEW RICE
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By ROSARIO IACONIS
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By VERONIQUE de RUGY
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By ELYSA GARDNER
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By THE NEW YORK SUN
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By MATTHEW RICE
|Few writers have captured despair more movingly or with less flash than Samuel D. Hunter. Like Sam Shepard and Tracy Letts, the Idaho-born and -bred playwright paints bleak, searing portraits of everyday lives under siege and on the margins. Yet Mr. Hunter’s landscapes tend to be more earnest and quietly shattering than most, drawing us in with their open-hearted naturalism and avoiding cynicism against all odds.
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