
‘All My Sons’ Interpretation Offers More Silliness Than Sagacity
‘A Woman Among Women’ fails to fully deliver on its premise to be a ‘counterpoint’ to Arthur Miller’s 1947 classic.
By ELYSA GARDNER
||Culture

Ms. Gardner has written about theater and music for The New York Times, The Village Voice, Town and Country, Time Out New York, Entertainment Weekly and other publications. She is a board member of the Drama Desk and has served on the jury for the Pulitzer Prize for drama twice, most recently as chair.

‘A Woman Among Women’ fails to fully deliver on its premise to be a ‘counterpoint’ to Arthur Miller’s 1947 classic.
By ELYSA GARDNER
||Culture

The Public Theater musical raises questions about psychiatric care and women’s rights that it doesn’t always satisfactorily answer.
By ELYSA GARDNER
||Culture

A new play set in the Arizona backcountry confirms John J. Caswell, Jr, is emerging as one of contemporary theater’s most compelling voices.
By ELYSA GARDNER
||Culture

Our critic forecasts who’ll win Broadway’s biggest prizes in a season that saw top plays and a likely musical winner that reminded us of musicals’ golden age.
By ELYSA GARDNER
||Culture

There is a refreshing absence of microaggression or triggering references in Eisa Davis’s tuneful ‘||: Girls :||: Chance :||: Music :||.’
By ELYSA GARDNER
||Culture

A cast of Broadway veterans ensures the show’s emphasis is on having a good time.
By ELYSA GARDNER
||Culture

The 1947 play gets a very modern update that reinforces the dangers of seeking success and happiness through superficial and artificial means.
By ELYSA GARDNER
||Culture

Eliana Theologides Rodriguez makes a commendable playwrighting debut, suffusing her work with warmth and positive wisdom.
By ELYSA GARDNER
||Culture

On the back of the direst season for new musicals in years, it’s a gift to have such an original melodic show on a New York stage.
By ELYSA GARDNER
||Culture

What is the point of minor celebrities mocking the memoirs of famous entertainers who are already themselves punchlines?
By ELYSA GARDNER
||Culture

The three-time Pulitzer-winning playwright’s final work, discovered by Kirk Lynn, shows how his humanistic writing evolved over time.
By ELYSA GARDNER
||Culture

While the ‘X-Men’ actor’s theater piece is not the strongest of the three monologues in Ella Hickson’s new play, his masculine charm carries him through.
By ELYSA GARDNER
||Culture