
Jesse Tyler Ferguson Zings ‘Tru’ as Capote in a Poignant Revival
In a cozy production at the House of Redeemer, Truman Capote is brought to life with charisma.
By ELYSA GARDNER
||Culture

Ms. Gardner has written about theater and music for The New York Times, The Village Voice, Town and Country, Time Out New York, Entertainment Weekly and other publications. She is a board member of the Drama Desk and has served on the jury for the Pulitzer Prize for drama twice, most recently as chair.

In a cozy production at the House of Redeemer, Truman Capote is brought to life with charisma.
By ELYSA GARDNER
||Culture

The show’s married composers and performers celebrate life and caring for plants, but their act proves tiresome.
By ELYSA GARDNER
||Culture

At 82, the cerebral playwright and actor remains as sharp as ever on stage, but his 1990 polemic shows its age.
By ELYSA GARDNER
||Culture

The ‘Harry Potter’ actor follows up Sondheim with an uplifting solo show about suicidal depression.
By ELYSA GARDNER
||Culture

In Anna Ziegler’s update of the classic Greek tragedy, audiences are encouraged to think rather than judge.
By ELYSA GARDNER
||Culture

Director Martha Clarke and playwright Beth Henley document the troubled life and profilic art of Henry Darger.
By ELYSA GARDNER
||Culture

While ‘About Time’ is an uneven musical experience, the songcraft is more solid than most of what you’ll hear from much younger composers and lyricists.
By ELYSA GARDNER
||Culture

Wallace Shawn may not be the best self-editor but his new play is often hypnotically absorbing.
By ELYSA GARDNER
||Culture

Inspired by a Susan Sontag quotation, the new musical uses a dark journey to search forconnection and light.
By ELYSA GARDNER
||Culture

Alex Lin’s satirical look at the roles of race and gender at an investment bank offers few shades of gray.
By ELYSA GARDNER
||Culture

Director Shelley Butler has assembled a cast including some of the finest theater veterans still treading the boards.
By ELYSA GARDNER
||Culture

The play is the third in Lauren Yee’s unofficial trilogy of plays about Communist regimes colliding with Western popular culture.
By ELYSA GARDNER
||Culture