
Paying Homage to the Fox and the Hedgehog of Cabaret
By WILL FRIEDWALD
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

Harry Belafonte typically gets the credit for introducing Americans to calypso, the West Indian style of music that swept the continent in the late 1950s and later morphed into reggae. But the first North American to champion the irresistible rhythms of Jamaica and Trinidad was the rhythm and blues star Louis Jordan in such numbers as “Run Joe” and “Stone Cold Dead in the Market.” Jordan took the sound a step further in his 1949 “Push-Ka-Pee She Pie (The Saga of Saga Boy),” in which he proclaimed to the world that he had invented a music he called “the new calypso bebop.” Not to be outdone, the Trinidadian star Lord Kitchener, then living in England, quickly recorded an homage to Dizzy Gillespie and Charlie Parker called “Kitch’s Bebop Calypso.”

By WILL FRIEDWALD
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By SEBASTIAN DOGGART
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By THE NEW YORK SUN
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By THE NEW YORK SUN
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By LAWRENCE KUDLOW
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By JENNIFER DOHERTY
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By A.R. HOFFMAN
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By BENNY AVNI
|Harry Belafonte typically gets the credit for introducing Americans to calypso, the West Indian style of music that swept the continent in the late 1950s and later morphed into reggae. But the first North American to champion the irresistible rhythms of Jamaica and Trinidad was the rhythm and blues star Louis Jordan in such numbers as “Run Joe” and “Stone Cold Dead in the Market.” Jordan took the sound a step further in his 1949 “Push-Ka-Pee She Pie (The Saga of Saga Boy),” in which he proclaimed to the world that he had invented a music he called “the new calypso bebop.” Not to be outdone, the Trinidadian star Lord Kitchener, then living in England, quickly recorded an homage to Dizzy Gillespie and Charlie Parker called “Kitch’s Bebop Calypso.”
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