
Apple’s HomeView Is the Best Smart Display Yet — but You Still May Not Need It
By ROSS ANDERSON
|To dig into E.E. Cummings’ collected poems is often to see a man drawn to sentimental topics and desperately seeking a way to desentimentalize them.

If we can manage to set aside the distinctive typography — the missing capitals, the odd parentheses, the deliberate indentations — a curious vision of E.E. Cummings (1894–1962) swims into view. Oh, he’s still a modernist, still in the new waves of poetry that the modernists brought. But he was also as sentimental a poet as serious poetry has known.

By ROSS ANDERSON
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By ELYSA GARDNER
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By ALEXANDER LARMAN
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By THE NEW YORK SUN
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By BRADLEY CORTRIGHT
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By LAWRENCE KUDLOW
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By THE NEW YORK SUN
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By MATTHEW RICE
|If we can manage to set aside the distinctive typography — the missing capitals, the odd parentheses, the deliberate indentations — a curious vision of E.E. Cummings (1894–1962) swims into view. Oh, he’s still a modernist, still in the new waves of poetry that the modernists brought. But he was also as sentimental a poet as serious poetry has known.
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