Asmae El Moudir’s “The Mother of All Lies” is a motion picture marked by elaborate contrivance. It’s a documentary about the intersection of family and fate, about those who we hold close and those who would pull us asunder. Having little in the way of hard historical evidence, the filmmaker reframes past events through the use of homemade dolls and miniature sets, placing hand-crafted reimaginings alongside straight-on interviews with family and friends.