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Playing in MoMA’s Sculpture Garden, ‘The Wind’ Will Launch ‘Silent Movie Week’

Adapted by Frances Marion from her own novel, Victor Sjöström’s 1928 picture was Lilian Gish’s baby from the get-go. Despite some drawbacks, her performance is touched by moments of grace.

Via Museum of Modern Art Film Stills Archive
Lillian Gish and Lars Hanson in 'The Wind' (1928). Via Museum of Modern Art Film Stills Archive
MARIO NAVES
MARIO NAVES

‘Silent Movie Week 2024’
Museum of Modern Art
July 31-August 6

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MARIO NAVES
MARIO NAVES

​Mr. Naves is an artist, teacher, and critic based in New York City. His writing has appeared in City Arts, the New Criterion,the New York Observer, Slate, the Spectator World, the Wall Street Journal, and other publications.

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