The playwright, Phelim McAleer, concentrates not on the rapes and sexual violence of that day but on the resilience of those who lived through the October 7 onslaught in Israel and its aftermath.
In ‘Late Admissions: Confessions of a Black Conservative,’ Loury is peculiarly cognizant of those who might cast a jaundiced eye on how one man’s moral compass may, or may not, correspond to his behavior.
Writer and director Moisés Kaufman and co-writer Amanda Gronich have directed their attention to some of Adolf Eichmann’s similarly notorious cohorts, as well as men — and women — whose names will be unfamiliar to most.
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