In the Company of Nazi Evil
By MARK GLANVILLE
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This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.
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It all began one violent night at the lake house. But now, nearly a decade later, Alex (François Cluzet) has learned that the gruesome murder that evening of his wife, Margot (Marie-Josée Croze), was not what it appeared to be. And until “Tell No One,” the new film by the French director Guillaume Canet, rather laboriously tries to explain itself, this hot-blooded thriller does an excellent job of spinning a very complex tale.
By MARK GLANVILLE
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By GEORGE WILLIS
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By THE NEW YORK SUN
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By MATTHEW RICE
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By DEAN KARAYANIS
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By JAKE WALLIS SIMONS
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By HOLLIE McKAY
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By DAVID MASTIO
|It all began one violent night at the lake house. But now, nearly a decade later, Alex (François Cluzet) has learned that the gruesome murder that evening of his wife, Margot (Marie-Josée Croze), was not what it appeared to be. And until “Tell No One,” the new film by the French director Guillaume Canet, rather laboriously tries to explain itself, this hot-blooded thriller does an excellent job of spinning a very complex tale.
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