Art
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ILLUSTRATING HISTORY
The exhibit Teacher and Student displays works by Howard Pyle and Jessie Willcox Smith, artists from the “golden age” of American illustrative arts. Pyle (1853-1911), who is known as the father of American illustration, influenced a generation of students with his revolutionary style. He used dynamic angles and captured scenes happening in mid-action, a stark departure from the dry and stagey setups of old-fashioned illustrations. His 1907 illustration for Harper’s Monthly, “The Ruby of Kishmoor,” is seen above. Smith (1863-1935) was his student at the Drexel Institute, and she went on to prolific success as a professional illustrator. She illustrated every cover of Good Housekeeping between 1918 and 1932, along with covers for Collier’s and Ladies’ Home Journal; advertisements for Cream of Wheat, Ivory Soap, and the Red Cross, and children’s book illustrations for “The Little Mother Goose,” “Little Women,” and “Heidi.” She and two other students of Pyle lived together on a 200-acre estate, sharing housing and expenses and creating a close-knit environment of artistic collaboration that was unusual for women at the time. Pyle, Smith, and several others in their circle are known as the Brandywine School, and works by several Brandywine artists are also on view in the exhibit, including N.C. Wyeth, Elizabeth Shippen Green (who lived with Smith), and J.C. Leyendecker.
Through Tuesday, August 31, Monday-Friday, 10 a.m.-5 p.m. and by appointment, American Illustrators Gallery, 18 E. 77th St., between Madison and Fifth avenues, suite 1A, 212-744-5190, free.