A few years before Michelangelo Antonioni had his breakout international success with “L’Avventura” (1960), the great Italian director released his fifth feature, “Il Grido,” a sad, soulful film marked by characteristics for which he would come to be praised and disdained. In the first 15 minutes alone, there are several Antonioni hallmarks: characters doing a lot of walking, desolate landscapes, and a troubled conversation between a man and a woman.