
New York Film Festival Review: ‘Fatherland’ Finds Redemption and Ruin in Post-War Germany
By SEBASTIAN DOGGART
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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When a pair of Florida developers in 2006 acquired a 19th-century stable and carriage house in SoHo, they celebrated with great fanfare, even hosting a week-long art exhibit featuring the graffiti that covered the facade and inside walls.

By SEBASTIAN DOGGART
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By CARL ROLLYSON
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By JAMES BROOKE
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By MATTHEW RICE
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By JENNIFER DOHERTY
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By A.R. HOFFMAN
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By MATTHEW RICE
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By ROSARIO IACONIS
|When a pair of Florida developers in 2006 acquired a 19th-century stable and carriage house in SoHo, they celebrated with great fanfare, even hosting a week-long art exhibit featuring the graffiti that covered the facade and inside walls.
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