Late Spring

This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

The New York Sun

Leon Kossoff’s paintings at Mitchell-Innes & Nash show the octogenarian British painter continuing to work in portraiture and landscape, with a brush loaded with oils as if they were tar, favoring a palette based on a sooty, British gray. In that, there has hardly been any change in his work for decades. But comparing these works to those in the gallery in 2009, which were from the period 1957 to 1967, one can see a brightening. He has admitted green into the paintings, a verdancy unmixed with ashes as would have been his wont fifty years ago.

Read the full article at Artcritical.

Franklin Einspruch is an artist and writer.


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