
Paramount and Warner Bros. — the Foreign State Problem
By THE NEW YORK SUN
|Clarence Coo’s writing lends itself well to the director’s cinematic vision for ‘On That Day in Amsterdam,’ calling to mind the dreamy fiction of authors like Haruki Murakami.

There is an ache in growing up — in the limbo between young and old, between an idea and creation, between desire and calling, between potential and fulfillment or disappointment. I tend to think I’ve outgrown or outsmarted this feeling until I see a piece like Primary Stages’s “On That Day In Amsterdam,” which brings me back to desires I’ve suppressed, the ghosts of what might have been.

By THE NEW YORK SUN
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By DEAN KARAYANIS
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By JENNIFER DOHERTY
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By LUKE FUNK
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By BRADLEY CORTRIGHT
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By ALEX ZDAN
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By VERONIQUE de RUGY
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By JENNIFER DOHERTY
|There is an ache in growing up — in the limbo between young and old, between an idea and creation, between desire and calling, between potential and fulfillment or disappointment. I tend to think I’ve outgrown or outsmarted this feeling until I see a piece like Primary Stages’s “On That Day In Amsterdam,” which brings me back to desires I’ve suppressed, the ghosts of what might have been.
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