Blakeman Welcomes Mamdani’s First Campaign Event With Hochul
By JENNIFER DOHERTY
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This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.
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With his enduring interest in retro sounds, it can be hard to tell whether Beck is moving forward or backward, revisiting old territory or breaking new ground. On “The Information,” the answer is probably both. Call it “avantretro.” The first song, “Elevator Music,” reworks his own loser-blues sound circa “Mellow Gold,” mixing it with old-school video game effects that are very much in fashion today. It’s impossible to date. “New Round” opens with banjo strums and electro-atmospherics, then evolves into a lovely little overlapping round. It’s a perfect metaphor for Beck’s music: he gets somewhere by chasing his own tail.
By JENNIFER DOHERTY
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By LAWRENCE KUDLOW
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By BRADLEY CORTRIGHT
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By ALEX ZDAN
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By THE NEW YORK SUN
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By ROSS ANDERSON
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By BENNY AVNI
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By TOM DEIGNAN
|With his enduring interest in retro sounds, it can be hard to tell whether Beck is moving forward or backward, revisiting old territory or breaking new ground. On “The Information,” the answer is probably both. Call it “avantretro.” The first song, “Elevator Music,” reworks his own loser-blues sound circa “Mellow Gold,” mixing it with old-school video game effects that are very much in fashion today. It’s impossible to date. “New Round” opens with banjo strums and electro-atmospherics, then evolves into a lovely little overlapping round. It’s a perfect metaphor for Beck’s music: he gets somewhere by chasing his own tail.
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