
Iowa Republicans Begin Sounding Alarm on Iran War as a Senate Race and Two House Seats Fall Into Toss-Up Territory
By MATTHEW RICE
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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Who can begrudge the Coen brothers a breather after the slowly strangulating suspense of “No Country for Old Men”? A comedy of persistent idiocy like “Burn After Reading” is a logical, and healthy, response both to the frightening world depicted in their Oscar-winner and to the expectant burden of their mainstream accolades. No classic for old Coen fans, their new film, which arrives in theaters Friday, is nonetheless a perfectly enjoyable yarn. It’s a little like observing mice in tutus and tuxedos scurrying their silly ways through a maze, and, well, you couldn’t ask for better choreographers.

By MATTHEW RICE
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By ALEX ZDAN
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By JENNIFER DOHERTY
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By LUKE FUNK
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By BRADLEY CORTRIGHT
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By SHAILI SINGH
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By ROSARIO IACONIS
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By ELYSA GARDNER
|Who can begrudge the Coen brothers a breather after the slowly strangulating suspense of “No Country for Old Men”? A comedy of persistent idiocy like “Burn After Reading” is a logical, and healthy, response both to the frightening world depicted in their Oscar-winner and to the expectant burden of their mainstream accolades. No classic for old Coen fans, their new film, which arrives in theaters Friday, is nonetheless a perfectly enjoyable yarn. It’s a little like observing mice in tutus and tuxedos scurrying their silly ways through a maze, and, well, you couldn’t ask for better choreographers.
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