Angelina Jolie’s ‘Without Blood’ Fights On, Largely Unseen
By JEFFREY WELLS
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This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.
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As a source of firsthand information about American soldiers’ experiences in the Iraq war, “In Conflict,” a documentary theater project now at the Barrow Street Theatre, is irreproachable. Artistically, however, Douglas Wager’s adaptation of Yvonne Latty’s nonfiction book has some problems — primarily a tendency to add histrionic flourishes to material that needs no further amplification.
By JEFFREY WELLS
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By SHARON KEHNEMUI
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By JOSEPH CURL
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By LENORE SKENAZY
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By JOSH HAMMER
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By A.R. HOFFMAN
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By DAVID JONES
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By JOSEPH CURL
|As a source of firsthand information about American soldiers’ experiences in the Iraq war, “In Conflict,” a documentary theater project now at the Barrow Street Theatre, is irreproachable. Artistically, however, Douglas Wager’s adaptation of Yvonne Latty’s nonfiction book has some problems — primarily a tendency to add histrionic flourishes to material that needs no further amplification.
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