
Letitia James Puts Cornell Case Front and Center While Her Office Fights Hundreds of Abuse Suits Against the State
By HOLLIE McKAY
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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“Manic Flight Reaction” has had the full gamut of pre-production massage – workshops, readings, the whole deal. But in the production now at Playwrights Horizons, it seems clear that playwright Sarah Schulman isn’t listening to the consensus. The audience concluded that her work isn’t done: The moment the piece turned from a quirky, tense setup into a dramaturgical morass was a palpable one. Her jokes fell flat. Her monologues made people shuffle in their seats. And for the sensitive playmaker, those responses could prove fantastically useful.

By HOLLIE McKAY
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By BENNY AVNI
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By THE NEW YORK SUN
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By THE NEW YORK SUN
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By LUKE FUNK
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By JOSEPH CURL
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By MATTHEW RICE
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By BRADLEY CORTRIGHT
|“Manic Flight Reaction” has had the full gamut of pre-production massage – workshops, readings, the whole deal. But in the production now at Playwrights Horizons, it seems clear that playwright Sarah Schulman isn’t listening to the consensus. The audience concluded that her work isn’t done: The moment the piece turned from a quirky, tense setup into a dramaturgical morass was a palpable one. Her jokes fell flat. Her monologues made people shuffle in their seats. And for the sensitive playmaker, those responses could prove fantastically useful.
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