
How Super Bowl MVP, Kenneth Walker III, Beat the Deadly Diagnosis Sidelining Jalen Hurts
By GEORGE WILLIS
|As a director, Peirone is especially fluid, possessing a sensibility in which stylistic galumphery is less its own reward than a means of expanding narrative possibilities.

The first clarification to be made about Mitzi Peirone’s “Saint Clare” is that it has nothing to do with Chiara Offreduccio — that is to say, Saint Claire of Assisi, the patron saint of, among much else, televised imagery. Instead, Ms. Peirone’s film concerns itself more with Joan of Arc: specifically, the movie about her trial, Carl Theodor Dreyer’s “The Passion of Joan of Arc” (1928).

By GEORGE WILLIS
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By GEORGE WILLIS
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By JOSEPH CURL
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By BRADLEY CORTRIGHT
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By AVI SHAFRAN
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By THE NEW YORK SUN
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By CARL ROLLYSON
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By DEAN KARAYANIS
|The first clarification to be made about Mitzi Peirone’s “Saint Clare” is that it has nothing to do with Chiara Offreduccio — that is to say, Saint Claire of Assisi, the patron saint of, among much else, televised imagery. Instead, Ms. Peirone’s film concerns itself more with Joan of Arc: specifically, the movie about her trial, Carl Theodor Dreyer’s “The Passion of Joan of Arc” (1928).
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