
Could Republicans’ Midterm Rout Foretell a Broader Political Realignment?
By MICHAEL BARONE
|The most glittering passage from Pope’s most glittering work — once considered a necessary adjunct to any general education.

The poetry of Alexander Pope (1688–1744) was once so well known, filling page after page of school anthologies, that editors would seek out his minor and lesser-known poems, just to present something a little different — the B-sides of his greatest hits, on the assumption that everyone already knew the A-sides. That assumption is, one suspects, not as true anymore. “The Rape of the Lock” is now assigned, when assigned at all, with a trigger warning. “Elegy to the Memory of an Unfortunate Lady” has disappeared. And “An Essay on Man” — once considered Pope’s major work and a necessary adjunct to any general education — has dropped away as too uninteresting to force students to read. So, for the May 21 birthday of Pope, let’s remember again the A-side: the most glittering passage from his most glittering work, in the full power of his rhymed pentameter couplets.

By MICHAEL BARONE
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By HOLLIE McKAY
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By CONRAD BLACK
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By HOLLIE McKAY
|
By HOLLIE McKAY
|
By HOLLIE McKAY
|
By HOLLIE McKAY
|
By HOLLIE McKAY
|The poetry of Alexander Pope (1688–1744) was once so well known, filling page after page of school anthologies, that editors would seek out his minor and lesser-known poems, just to present something a little different — the B-sides of his greatest hits, on the assumption that everyone already knew the A-sides. That assumption is, one suspects, not as true anymore. “The Rape of the Lock” is now assigned, when assigned at all, with a trigger warning. “Elegy to the Memory of an Unfortunate Lady” has disappeared. And “An Essay on Man” — once considered Pope’s major work and a necessary adjunct to any general education — has dropped away as too uninteresting to force students to read. So, for the May 21 birthday of Pope, let’s remember again the A-side: the most glittering passage from his most glittering work, in the full power of his rhymed pentameter couplets.
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