
New Protests Planned in France To Coincide With Le Pen’s National Rally Convention
By LUKE FUNK
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

On its face, “Postal” seems to be a relevant slapstick satire despite the fact that it has been awaiting its American release for nearly a year. Like “Harold and Kumar Escape From Guantanamo Bay,” Uwe Boll’s new film is a politically incorrect farce “inspired” by the aftermath of the terrorist attacks of September 11, 2001. If that doesn’t raise a big enough red flag, the film also boasts the Canadian Dave Foley as a Warren Jeffs-esque polygamist cult leader, as well as a Sean Bell redux in the form of a police officer gunning down an unarmed Asian woman in her car because she doesn’t know how to drive. Mr. Boll — who is often called the world’s worst film director — and his writing partner, Bryan Knight, show true foresight in encapsulating so much of today’s pop culture from the vantage point of a year ago.

By LUKE FUNK
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By THE NEW YORK SUN
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By LAWRENCE KUDLOW
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By JENNIFER DOHERTY
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By MATTHEW RICE
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By BENNY AVNI
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By THE NEW YORK SUN
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By ALEX ZDAN
|On its face, “Postal” seems to be a relevant slapstick satire despite the fact that it has been awaiting its American release for nearly a year. Like “Harold and Kumar Escape From Guantanamo Bay,” Uwe Boll’s new film is a politically incorrect farce “inspired” by the aftermath of the terrorist attacks of September 11, 2001. If that doesn’t raise a big enough red flag, the film also boasts the Canadian Dave Foley as a Warren Jeffs-esque polygamist cult leader, as well as a Sean Bell redux in the form of a police officer gunning down an unarmed Asian woman in her car because she doesn’t know how to drive. Mr. Boll — who is often called the world’s worst film director — and his writing partner, Bryan Knight, show true foresight in encapsulating so much of today’s pop culture from the vantage point of a year ago.
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