
Cézanne, Modigliani, and Soutine: Parisian Rebels Who Made Art Modern Reunite at Brooklyn Museum
By A.R. HOFFMAN
|This article is from the archive of The New York Sun before the launch of its new website in 2022. The Sun has neither altered nor updated such articles but will seek to correct any errors, mis-categorizations or other problems introduced during transfer.

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When Alex Ureña opened Ureña last year, reactions, including mine, were mixed. The Spanish restaurant reached impressive heights of creativity, with dishes such as foie gras yogurt, but the dining room’s bright infelicity coupled with highish prices to make the overall experience somewhat unwelcoming. In my March 2006 review, I preferred the experience of sitting at the restaurant’s front bar, where inexpensive and fun tapas made for a much more comfortable evening of dining.

By A.R. HOFFMAN
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By GEORGE WILLIS
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By DAVID JONES
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By JOSEPH CURL
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By HOLLIE McKAY
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By HOLLIE McKAY
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By HOLLIE McKAY
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By HOLLIE McKAY
|When Alex Ureña opened Ureña last year, reactions, including mine, were mixed. The Spanish restaurant reached impressive heights of creativity, with dishes such as foie gras yogurt, but the dining room’s bright infelicity coupled with highish prices to make the overall experience somewhat unwelcoming. In my March 2006 review, I preferred the experience of sitting at the restaurant’s front bar, where inexpensive and fun tapas made for a much more comfortable evening of dining.
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